Don’t mess with me! I have a new set of chopsticks … and other paraphernalia

Bounty from Mitsuwa

© MAK

Left Brain. Right brain.

Left Brain

Right Brain

Logical thinking | Sequential | Rational | Analytical | Objective | Looks at parts | Accuracy | Exact Computation | Direct fact retrieval | Grammar | Vocabulary | Literal | Written language | Spoken language | Linear information processing | Plans ahead | Recalls people’s names | Punctual | Prefers formal study design | Prefers bright lights while studying | Speaks with few gestures | Verbal | Present and past | Math and science | Acknowledges | Order and pattern perception | Forms strategies | Practical | Safe

Random • Intuitive • Holistic • Synthesizing • Subjective • Looks at wholes • Aesthetics • Feeling • Creativity • Approximate computation • Intonation • Accentuation • Prosody • Pragmatic • Contextual • ‘Un-ordered’ information processing • Impulsive • Recalls people’s faces • Less punctual • Prefers sound or music background while studying • Prefers frequent mobility while studying • Gestures when speaking • Visual • Present and future • Philosophy and religion • Appreciates • Spatial perception • Presents possibilities • Risk taking • Daydreaming

Yoko Ono vs. May Pang

Yoko Ono | Japanese	May Pang | Chinese-American
Born
February 18, 1933 Tokyo, Japan	October 24, 1950 Manhattan, New York
Before Lennon
From a well-to-do family Attended exclusive schools Lived thru Tokyo fire bombings in 1945 Lived through poverty Dropped out of studying philosophy at the university Moved to New York after the war Longed for and eventually joined the “Bohemia” Married Toshi Ichiyanagi in 1956 She was 23 A suicide attempt and a stint in a mental institution at some point Divorced Toshi and then married Anthony Cox in 1962 She was 29 That was annulled for technical reasons and then went ahead in 1963 Had a daughter together – Kyoko – she was 30 Divorced Cox in 1969 She was 36 The custody mess started… and never really resolved… to this day Kyoko and Yoko cannot get together Throughout she was well and truly part of the NYC art world “scene”, especially the avant-garde	Chinese immigrant family Did college Wanted to be a model but deemed too “ethnic” Song-plugger Receptionist at ABKCO Records (yes, here is the Apple Records and Beatles connection)
With Lennon
Met November 9, 1966 at her exhibition in London She was 33 She was his muse and collaborator The gateway, the key and the catalyst to the avant-garde Married March 20, 1969 She was 36 And continued Then separated in 1973 She pursued her career in NYC He lived in LA having his 18-month “lost weekend” with May Pang Reconciled in 1975 Had a son together – Sean - she was 42 Witnessed at a close range John’s murder in December 1980 Became a widow at 47 Throughout she was a practicing artist in her own right adding music to her repertoire	Asked to help John and Yoko with a film project in December 1970 Became their personal assistant in New York in 1971 She was 20 In 1973, after the decision to separate, Yoko suggested May become John’s companion Yoko “orchestrated” the match In October 1973, May and John left for LA to promote “Mind Games” album The “lost weekend” began May was 23 In June 1974, they returned to NYC Adopted two cats Early 1975, Lennon almost bought a house in Hamptons for him and May to hang in “You know Larry, I may have been the happiest I've ever been... I loved this woman (Pang), I made some beautiful music and I got so fucked up with booze and shit and whatever." She was his companion, “nurse”, occasional muse and collaborator But then he reconciled with Yoko… May was 24 But May claims her and John… until 1977
After Lennon
Had a bout of seclusion after John’s murder Then continued her art and activism A very busy woman! Faithful and collaborators abounded and still do	Worked as a PR manager for United Artists Records and Island Records Married a record producer in 1989 She was 38-39 Had two kids Then divorced in 2000 She was soon 50 She is still in contact with “Lennon’s crowd”
Talked about it
She could have not escaped talking about it even if she tried; people keep on asking!	Book: Loving John (1983) Book: Instamatic Karma (2008)
In her own right
Artist, musician, film director, peace activist, designer, continual muse and avid artistic collaborator All-around Grand Artiste status	Personal assistant, production coordinator, jewellery designer, author, volunteer for Animal Haven, internet talk radio show co-host

Nyan Cat, or WTF?! - Nyanyanyanyanyanyanya!

Original, seriously sped up, super slow, relaxed, metal and smooth jazz versions, followed by a full on attack and a hell kitty, ... ?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!

This is insane!

To quote two YouTube comments regarding the original,

"I want this song on my iPod and a full sheet of lyrics"

and

"Mniam Mniam Mniam Mniam Mniam Mniam."

tastejive: wines in your language™, or selecting wine based on what you desire

This is the deal: if you do not want to choose your next vino based on a recommendation that gives you a historical background and then says the given wine is “a blend of Grenache, Mourvèdre and Syrah [and] The three varieties are aged 20 months in new and used barriques and large puncheons, to emphasize fruit purity”, then tastejive is for you. Get a recommendation that matches the experience you are after, mood or occasion, and fires off quips such as: “Overrated, and with a checkered past; Kim Kardashian and Paris Hilton in a bottle.” “Big and muscular like meat on a stick, with a man on the side.” “Joan Holloway, walking, or, whatever.” “… like a mouthful of sparklers putting on a show for your tongue.” “Shaplier even than Pippa Middleton’s bum. A classy, full-bodied affair that won’t settle for second fiddle. Show it off to your friends.” “With curves in all the right places and legs that just don't quit, this wine will stop you in your tracks like a half-naked super model” Ha! They even have an App for your iThingy billed with “Remember the last time you tasted a wine you liked? Can't remember its name? Don't worry, 80% of people don't remember, either.” Except that you will have to log on to the Facebook to use it, and I find that annoying…tastejive is a nice concept though.

The ultimate office survival kit

Photo © MAK

Just the required
kick, 
sweetness, 
or mellowness 
one might require 
to be jazzed up.

Live every day as if it were your last and then some day you'll be right. ~ H.H. "Breaker" Morant

Steve Jobs' 2005 Stanford Commencement Address

“I can say this to you with bit more certainty than when death was a useful but purely intellectual concept. No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet, death is the destination we all share. No one has ever escaped it. And that is as it should be, because death is very likely the single best invention of life. It’s life’s change agent. It clears out the old to make the way for the new. Right now, the new is you, but some day not too long from now you will gradually become the old and be cleared away. Sorry to be so dramatic, but it’s quite true. Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma which is living with the results of other people’s thinking. Don’t let the noise of other’s opinion drown out your own inner voice, and most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.” – Steve Jobs 1955 – 2011 “Stay hungry. Stay foolish.” – Final issue of Whole Earth Catalogue

The origin of O-Ren, or what might not pass the censors in flesh might as anime

When “Kill Bill” came out, it was a dizzy visual offering that borrowed and acknowledged those unique parts of the film library, the film genres and films gone by, for the cinematographically obsessed. The Asian influence was unmistakable. The use of anime to tell a background story was a welcome surprise, and a very appropriate approach considering O-Ren Ishii’s ancestry and birthplace. The gore would have passed the censors in a non-anime form (as shown later in the tea house scene for one), because for some reason gore is deemed less corrupting to our souls (but don’t you think the anime style gave it a peculiar edge?). What would have not passed was the young O-Ren’s method of getting closer to Boss Matsumoto to exact her revenge. If filmed in flesh, it would have made most of us squirm, feel very uncomfortable and challenged to make a leap into “but this is part of the plot/art”, alas unsuccessfully. I know I would have been all those. After all, I did not see the point of reading Nabokov’s “Lolita” – I simply did not care to understand Humbert Humbert’s madness (I drew the line on my liberalism there, but you won’t see me picketing…) – and seeing Stanley Kubrick’s take on that story did not make it better (as much as I love Kubrick’s stuff). Also, why do you think Adrian Lyne’s adaptation pretty much went straight to rental? Pedophilia does not work for most of us. This is why it is interesting that when delivered as anime not only did it pass the censors as an appropriate vehicle for providing character background, but it elicited barely a blink from the viewers. You might ask, do I have a point here? The things that make us squirm, uncomfortable and disgusted happen; therefore, there is always a place for them in literature, film and any other artistic media that draw from life. I think we should react to what we read, see and hear no matter how unnerving it is. As much as I like anime, I worry when it removes this distress with its gloss.
 

Sukiyaki and Chips: The Japanese Sounds of Music

1995. Took a note to have some period reference to where the West was at. The top five hits of 1995, according to the Billboard Top 100, were: 5. “On Bended Knee” Boyz II Men, 4. “Kiss from a Rose” Seal, 3. “Creep” TLC, 2. “Waterfalls” TLC (was a good year for them, obviously) and 1. “Gangsta’s Paradise” Coolio. When it comes to albums, same source, we had: 5. “CrazySexyCool” TLC, 4. “Hell Freezes Over” The Eagles (Really?! C’mon people! A 70s band?! Whatever…), 3. “II” Boyz II Men, 2. “The Hits” Garth Brooks and 1. “Cracked Rear View” Hootie & The Blowfish. If memory serves at all, I was somewhere in the territory of Pearl Jam, Silverchair, Alanis Morissette, Red Hot Chilli Peppers, Nirvana, Green Day, Oasis, The Smashing Pumpkins, Nine Inch Nails, Rage Against the Machine, Björk, Nick Cave … you get the idea.*

Now that I set the scene for the ‘back in the days as I think it was’, you will understand why my eyebrows arched 1:32 minutes into “Sukiyaki and Chips”. Harajuku Park, Tokyo: Japanese rockers looking a bit à la Danny Zuko, with added variations on that style, dancing away in what seemed like freeform Twist to rock’n’roll. But it started to make sense when the girl said, “This is the best place in Japan for me. I can forget all about what I’m supposed to do or be and just loose myself in the rock’n’roll.” I stood corrected. Who was I to scoff at this?! Wasn’t this what it’s all about?!  The “this” and “it” being music and freedom that comes with music, or vice versa – take your pick regarding the order. Hell, take your pick whichever way! I had to put my ethnomusicologist / sociologist / anthropologist / cultural studies /journalist / keen-observer / for-once-open-minded-individual, or whatever it should’ve been, hat on for this documentary.

Next was the phenomenon of Lollipops – short term pop idols that were truly a flash in a pan. Groomed here, gone tomorrow. The disparaging teenager commentary voiceover encapsulated this music “scene” to a T. But hey, such is still the lot of pop music, I say. As it turned out, the prime customer base for Lollipop music was more clued in that it might’ve seemed at first. Actually, Japanese of all ages were aware of their escapist tendencies. As the barman said of the videos screened in the bars to keep the customers drinking, “Of course, I like naughty things. I like pornography. Soft porn, that is. So do most men after all. I think porn is about the most popular entertainment of all around here.” The voiceover added, “In some places is highbrow stuff. Expensive. For businessmen or foreign tourists. They take medieval classics and turn them into striptease. Very Japanese. These are a mixture of medieval and modern, in both story and music.” Cue in a hard rock track to a piece by kimono garbed, geisha-shogun coiffed performers emulating a sex scene. And the boobs came out. Then she gingerly hammered the bell to traditional music while stark naked.

Shift. Dr. Tsunoda had an explanation for why classical Japanese music sounds different. Something about the brain wiring that had to do with the uniqueness of the Japanese language. Left brain listens more. Even to Beethoven – the example of western music. More or less, that is. He threw in what I saw as a challenge – that westerners find Japanese classical music hard to understand. Ha! So rests play a huge part. OK … This was just his opinion all around anyhow. Cue in an avant-garde musical performance by one with many instruments. Admittedly, seeing it being done made it more fascinating. Just like any ‘challenging’ piece – from east or west, north or south. Bravo to the finale – a cow sound toy! All inspired by the sounds of Japan, its traditions, the silence … somehow … or so she said.

Ah, Yamaha pianos. Start learning music at 4! Embrace electronics! After all, they want to get to your “heart and soul.” Yamaha hoped to move the human race forward, at least musically, with the help of these new electronic instruments. Doof doof for world peace? Venture into space age sounds? Well… Just faster production of pop music for “the Japanese public [that] is so terribly limited in its taste.” Turned out that thinking about the musical wants of the Japanese public would’ve compromised, not so much the artistry, but the ability of some musicians to have a job they like and to express themselves as products of their environment. That’s if you are a pop group that can afford such notions (see Yellow Magic Orchestra in the studio below), because as everywhere around the world, the lot of Japanese musicians upholding the traditions was tough. Poor pay, fickle audiences wanting mainly some entertainment in the music hall, or reflections of their lives to sing to. They chose. Hell, they could make their own entertainment in the karaoke taxi while on the way to work! You better serve! They were the stars, in their spare time.

If you think I have spilled a lot of detail, fear not. If you pay attention, “Sukiyaki and Chips: The Japanese Sounds of Music” is dense with clues and information as to why Japanese music and music scenes were just so. The variety was there – whether up to your taste or not – and the music is everywhere, even in the most mundane.

*Disclaimer: Although stamped as a 1995-production, the “Sukiyaki and Chips: The Japanese Sounds of Music” footage turns out to be all 80s. That explains a lot. Me and 80s have a strange retrospective relationship. I draw a blank as to what I listened to back then as far as the entire decade is concerned. Madonna and Kylie Minogue featured somewhere in the second half … So much for my feigned alternative music snobbery.

Beauty sleep

Photo from Beauty Fool

I am the last one to argue for sleep to be a waste of time. Maybe back in the days, I saw all those precious hours as time during which so much could be done, but no more. Nowadays, sleeping is my hobby. Aha. Anything that would maximize its benefits I am up for. Enter the idea of silk pillow cases. Some would say they have plenty of beauty benefits like preventing frizzy hair, development of zits and wrinkles to name the classic few. Old wives’ tale this maybe, but if nothing else the superficial luxury of tossing in the silk for all those hours has my vote. Beauty sleep either way.