Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts
Wednesday, June 3, 2015
Wednesday, May 27, 2015
Photography | Josef Koudelka
Josef Koudelka comes to me as a triptych: a photographic
window into lives of Gypsies in Slovakia and Romania, a photographic document
of the crushing invasion of Prague by the military forces of the Warsaw Pact, scion
of the legendary Magnum agency. See a selection of his work at Josef Koudelka: Nationality Doubtful – I wish I was timelier and posted this when the
exhibitions were still on (either at the Art Institute of Chicago or Getty
Center in Los Angeles), but exhibitions have a time limit, Koudelka’s
photographs don’t, no matter where you see them. Although photography pins a
moment in place by its very nature, in the eye and hands of a master the results
live forever to show us what we were not witnessing, and to inspire with the
craft.
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JOSEPH KOUDELKA “GITANS” AND “INVASION 68 PRAGUE” via MAGNUM PHOTOS
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Thursday, February 20, 2014
Interesting Couple | Inez van Lamsweerde & Vinoodh Matadin
You might be at least familiar
with the commercial work of this Dutch duo, the one for fashion houses – like
the ad campaign for Miu Miu where each photo is stamped with INEZ & VINOODH
{city where it was done, date of when}; alternatively, it seems luxury magazines
like them shooting covers and related editorials. Nice job if you can … carry
it off. These two have a specific style in or feel about their work, commercial
or not – just browse some. I find it crisp. Crisp enough that the fact retrospectives
of their work are being held already kind of odd. But it has been 25 years
plus. Like I said, nice job.
Monday, January 6, 2014
Baby, it’s really really cold outside!
Sunday, November 17, 2013
Movies | Zabriskie Point finale
What a lame plot, if that’s what that was. Dialog – not much better. But.
Exquisite cinematography. About one hour forty-six minutes into it, also, a piece that morphs with the soundtrack so well that I would pay to stage it at any contemporary space worth its existence.
This is Michelangelo Antonioni’s “Zabriskie Point” | Cinematography Alfino Contini | Music Pink Floyd “Come In Number 51, Your Time is Up” where it matters
~1:53
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Wednesday, August 14, 2013
Interesting Couple | Grace Coddington & Peter Lindbergh
She is a creative director at
American Vogue with an eye and
styling skills to rival, if not surpass, many. He is a prominent photographer
of iconic proportions, cinematographic suaveness and black-and-white cool. For
all we know, they were or are not romantically involved. They work together.
Often. On the pages of Vogue.
Together they create stories – with fashion and their models still prominently
there (these are fashion editorials after all), but somehow animated and
engrossing within the two-dimensions of a photo. That’s talent. Maybe they are a
romantic couple of sorts. Partners in crime, so to speak. May they remain
together. Frequently.
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OBSESSION | SOURCE: VOGUE VIA DUST JACKET
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BRIEF ENCOUNTER | SOURCE: VOGUE VIA DUST JACKET
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STARDUST | SOURCE: VOGUE VIA FASHION GONE ROGUE
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Thursday, May 16, 2013
Art | Can I have a woof-woof, meow, grr or any such sound? Animal photography
Tim Flach has a resume that
includes work for National Geographic, The New York Times Magazine, The Sunday
Times, Stern Magazine, Gore Tex and Hermès.
Wednesday, May 1, 2013
Monday, April 29, 2013
Art | Fly with William Eggleston
Will was born on July 27, 1939, and acquired his first
camera at 18. The Eggleston Trust has a detailed biography that includes early
details such as year he bought his first Leica, had his ‘decisive’ moment and
experimented with color. Meanwhile, let’s enjoy an in-flight drink courtesy of
Will.
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Tuesday, April 16, 2013
Art | VISUALEYES Photographers Special Request: Helena Christensen & Marino Parisotto
VISUALEYES is an artist agency founded in 2007 that represents more than just photographers. To stick with snap happy, Helena and Marino have a star next to their names (“Special Request”), so let’s see.
Helena Christensen is well known from her hugely successful modeling days in the 1990s; in 1997 she co-founded NYLON magazine and in 1999 went on to freelance photography; in 2003, she had her first exhibition in London.
Marino Parisotto studied economics, but fashion photography pulled at him and within ten years he seduced also other photographers and photo critics who praise him highly.
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Saturday, February 16, 2013
Thursday, February 14, 2013
Fashion | Audrey Hepburn sixties style
This
one goes with Alexa Chung sixties style.
Red dress, iconic photographer (Richard Avedon) and
an icon immaculately dressed.
Check. Check. Check.
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Read more at Harper’s Bazaar.
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Sunday, January 20, 2013
Movies | “Reg, let’s have some noise, can we?”
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And off goes the blues circa late 1960s (The Yardbirds?). This is after some great jazz backing the opening credits, courtesy of Herbie Hancock. “That’s good. That’s good. Hold that.” Probably by now the most classic line one can utter when photographing a model. Face close ups; hands close to the face; expression; hair, hair; give it to me. Dominant (or is it exacting?) and successful hipster photographer, lording over his roost and its minions, that of course includes those doll-like models and want-to-be models. He floats through his hipster arty crowd, which searches for some sublime visions, makes art, dismisses it, holds on to it. These arty boys are self-absorbed brats in a ‘candy store’, although they also search for and would rather transmit something ‘real’, but such is the ‘conundrum’ of genius amidst the perks of popularity – looking at but being cushioned from the uglier reality. Will it all explode? “Get off”? After how many pull backs? The trademark of tension.
This is “Blow-Up”, a 1966-movie by legendary Michaelangelo Antonioni. Every still perfectly composed, as it should be, especially if the main character is an über fashion photographer. It has also been Antonioni’s thing to demand – that visual perfection. The movie is all about the ambiance – the cinematography that is not so much about capturing a rapid story arc, but about transmitting a feeling of being a fly on a wall or one of foreboding. Recommended viewing for visually and mood inspired. Recommended. |
Sunday, January 6, 2013
Interesting Couple | Annie Leibovitz & Susan Sontag
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This is a tricky one, since one part of the couple is
a really famous portrait photographer, so she is always behind the lens. The
other was a powerhouse of intellectual writing, hence more likely to be in
front of the lens. Plus, Susan once said that she “grew up in a time when the modus
operandi was the ‘open secret’” so frequent showing off with Annie for social photographs
was not likely or maybe encouraged. Then I found a copy of a photo of them together!
Annie’s photos are iconic; Susan has written hell of a book “On Photography” and forever changed my view on what it means to photograph, how predatory of a task it can be. |
Wednesday, January 2, 2013
Fashion | Alexa Chung sixties style
Red dress. Check.
Photo by fantabulous Ellen von Unwerth. Check.
Sunday, December 30, 2012
Movies | “Glass of whiskey with an irresistible young actor”
One of the benefits, although
ever so dubious ones, of being sick and in need of bed rest is a possibility of
mini-home-bound-I-am-stuck-here-and-need-to-relieve-the-boredom-but-I-am-out-of-steam
marathons. In my case it was movies. One set of selections was inspired by a
photo of Ezra Miller taken by Garance Doré at the Martinez Hotel during the Cannes
Film Festival 2012. It is a nice photo, non?
“Another Happy Day”: Some
families comprise of individuals that are dysfunctional, self-absorbed, neurotic,
argumentative, cynical, sensitive, mixed up, angry, and whatever else you want
to add here, who are more than willing to dish it out or spread around the “goodness”.
Cringe worthy viewing, if you are not into that sort of drama either at home or
otherwise, “Another Happy Day” is a wreck I kept on watching mostly because,
well, these people do not exist on celluloid only. I know a few…
“Beware the Gonzo”: High school misfit, outcast, and nerd revolt for the 2000s. Kind of cute and idealistic with a twist and some lessons to boot.
“Every Day”: Adults are sorting themselves out more clumsily than the kids.
I can see why IMDb rated them all below 7/10 and critics at Rotten Tomatoes were not more gracious (45% and below), but – remember – quality had a different meaning for me in this instance. We’ll see what becomes of him.
“Beware the Gonzo”: High school misfit, outcast, and nerd revolt for the 2000s. Kind of cute and idealistic with a twist and some lessons to boot.
“Every Day”: Adults are sorting themselves out more clumsily than the kids.
I can see why IMDb rated them all below 7/10 and critics at Rotten Tomatoes were not more gracious (45% and below), but – remember – quality had a different meaning for me in this instance. We’ll see what becomes of him.
Monday, October 15, 2012
Art | If you happen to be in Paris Nov. 9-11, 2012 attend A Shaded View on Fashion Film 5
Art | Go David LaChapelle Go!
Crazy photography. Crazy
good. Crazy wacky. Plastic fantastic. Out there. This is David LaChapelle back
in gallery (until March 2012 – sorry, am a bit late). Love it or not so much,
it is arresting stuff.
Sunday, October 14, 2012
Saturday, October 13, 2012
Art | Fashion Film: Ruth Hogben for Gareth Pugh, 2011
“With a
collection inspired by religious iconography and Florentine opulence, Gareth
Pugh made his Italian fashion debut at Pitti Immagine #79, showcasing his
clothes via a unique fashion film, created with Ruth Hogben.”
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